Tag: Candace Lilford
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“Look’d upon her with a [dramaturg’s] eye”: Artistic Agency, Characterization, and Plot
What might the early modern actor’s part look like for William Shakespeare’s Much Ado About Nothing? What might cutting together these scripts, sometimes referred to as “role” or “cue,” illuminate about characters, plot, and the text as a whole? As dramaturgs, what should be considered when cutting for live performance? Two of our team members,…